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Before talking about the Best Fingerstyle Guitarists, let’s talk a bit about Fingerstyle Guitar.
Fingerstyle refers to any style of guitar involving the use of fingers and thumb, and is now associated with a wide variety of styles and genres of music. These include Classical music, Travis picking, Folk music to even pop and fingerstyle jazz.
I’m going to talk about some amazing artists that have mastered this art and are extremely adept at both the technical and creative side of their music.
I’ll include both contemporary and modern musicians in this list, but there’s no way I can include all of them (there are so many!).
Here are the best fingerstyle guitarists, in no particular order.
Tommy Emmanuel
There is a reason why Tommy Emmanuel is regarded as the fan-favorite Fingerstyle Legend. It’s not just about the complex technique and his mastery over the acoustic guitar (which is beyond comparison by the way), but he is one of the greatest performers in my opinion. I’ve seen just a handful of guitarists with as much energy and communication with the audience as the Australian guitarist. Besides his amazing fingerstyle and “boom-chick” technique, he is adept at adding percussive elements to his arrangements as well. Well, a lot of you might not know that he is a great drummer too, which explains the percussion part. He has given a lot of credit of his playing style to Chet Atkins, which is the next name on this list.
Chet Atkins
Chet Atkins was one of the most technical and talented musicians of his time. Initially inspired by Merle Travis, his playing style has inspired a number of artists, including Tommy Emmanuel and Mark Knopfler among others. He took the Travis picking technique and developed it into a whole new subgenre of country music by the name of Nashville sound. Atkins received 14 Grammy Awards and a Grammy Lifetime Achievement Award for his unforgettable works and contribution to the American country music scene. He is also an inductee to the Rock and Roll Hall of Fame, the Country Music Hall of Fame, and the Musicians Hall of Fame.
Michael Hedges
Michael Hedges is the creator and pioneer behind the modern percussive acoustic guitar. His approach to playing the guitar using percussive effects, harmonics, tapping and fingerpicking led to rise of a new wave of percussive fingerstyle guitarists. Hedges has inspired artists like Andy McKee, Don Ross, Calum Graham, Mike Dawes, Preston Reed, Jon Gomm and many more. He also toured briefly with legendary guitarist Leo Kottke. Apart from the acoustic guitar, he also played the Harp guitar, TransTrem guitar, piano, harmonica and flute. Not only that, he was a great vocalist as well. Michael Hedges died young in an unfortunate car accident. Some of Hedges’ popular songs include Aerial Boundaries, Bensusan (tribute to Pierre Bensusan) and Ragamuffin.
Mark Knopfler
Mark Knopfler is best known as the lead guitarist and singer-songwriter of rock band Dire Straits. But he now plays as an independent solo artist. Unlike many other players here, Mark Knopfler tends to mostly play with his thumb, index and middle finger. Of course, that’s enough to make him one of the most talented and melodic fingerstyle players. Knopfler is extremely adept at both acoustic and electric guitar, and manages to keep his tone extremely clear even in his distortion solos. Here is one of his most popular and beautiful electric guitar solos of all time. It’s a live performance of the Dire Strait song Sultans of Swings.
Leo Kottke
Leo Kottke is a legendary American guitarist known for his jazz, blues and folk fingerstyle playing. He often uses open tunings, and sometimes likes to tune his guitars a couple steps lower than the standard tuning. Influenced by folk and delta blues music, he picked up the trombone and violin first before trying out the guitar, and the rest is history. Kottke suffered partial loss of hearing due to a firecracker accident and developed tendinitis (tendon damage) due to his aggressive picking style. The right hand injury made him change his picking style to a more classical and jazz oriented one, involving more flesh and less nail and fingerpicks. He is one of the “Great ones” after all, and his live performances and recordings show no signs of any injury whatsoever.
Jerry Reed
A singer-songwriter, guitarist, composer and a well-loved actor – Jerry Reed is one of the greatest country music artists of all time. Apart from country, he has a notable contribution in even bluegrass and jazz music. Reed has a Grammy Award for Best Country Vocal Performance to his name, and was also inducted into the Country Music Hall of Fame and the Musicians Hall of Fame and Museum. Some of Reed’s most popular songs include “Guitar Man,” “East Bound and Down,” “Georgia On My Mind” and “City Of New Orleans”.
Paul Simon
12 Grammys, a Grammy Lifetime Achievement Award, an Oscar nomination, as well as Rock and Roll Hall of Fame and Grammy Hall of Fame inductee – Paul Simon is an American singer, guitarist and actor, perhaps most known for his success with Art Garfunkel in the duo Simon and Garfunkel. Simon wrote some of their most iconic songs like “The Sound of Silence”, “Bridge Over Troubled Water” and “Mrs. Robinson”. The duo split up later and has been performing as a solo artist since then. A lot of people know for his songwriting and musician skills, but he is often underrated when it comes to his fingerpicking skills. His songs like “The Sound of Silence” and “The Boxer” among others are some of the most beautiful fingerpicking guitar songs ever written.
Andy McKee
Probably most well-known for his song ‘Drifting,’ Andy McKee is a revolutionary fingerstyle guitarist and a whizz when it comes to alternate tunings and creative ways to play the acoustic guitar. A marvelous example is the use of a beautiful open tuning and a banjo capo in his song ‘Rylynn.’ He began his journey learning electric-guitar inspired by guys like Joe Satriani and Eric Johnson. However, this got changed the moment he was introduced to acoustic guitarists like Michael Hedges, Don Ross, and Preston Reed, and we all know how well did that go. In fact, the top two as well as six out of the top ten overall most-videos on Candyrat Records’ YouTube channel are Andy’s songs. Most of you are already pretty familiar with his music, but if you aren’t, it should be the first thing to do right now.
Calum Graham
Calum Graham is a young Canadian guitarist who is greatly inspired by fingerstyle legends like Michael Hedges and Don Ross. It’s no surprise that his playing takes a lot of inspiration from those guys. Not only that, he is classically trained as well, which definitely can be seen in his picking and left-hand technique. His song “The Nomad” is actually the first percussive acoustic song that I learnt, and I can highly recommend it to you guys as well (for learning or just pleasing your ears)
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All of us - including some great guitarists - Calum Graham boasts eight fingers and two thumbs on two hands. But it is his singular musical brain that governs it all. And when everything aligns cosmically the result is extraordinary. In fact is quite magical because when you put a guitar in his hands (he plays several kinds - acoustic, baritone and harp) the instruments sometimes becomes a chamber ensemble. On ‘Thread of Creation’, his six album, Graham takes us right into the heart of his magical world that included the iconic ‘Tabula Rasa’. With Graham's hands, the guitar reveals it's huge vocabulary of sounds, with minimalist electronic effects combined to make it sound as big as an ensemble. Graham brings his unique musical insight and musicianship to deploy all of the instruments capabilities effectively. From using harmonics and pizzicato to exotica such as bi-tone tapping and percussion you might wonder if his guitar has a drum set attached. Graham turns a simple one-to-five minute song into a poetic miniature. His music is inspired, original and daring and there are several examples of this on ‘Thread of Creation’ - such as ‘The Nomad’ and ‘Ma Lumiere’ - to name but two. Bassist Michael Manring makes ‘In Lak’Ech’ truly atmospheric; Antoine Dufour does likewise on ‘Absolution’. Meanwhile Graham emerges as the pre-eminent artist technician.
-Raul da Gama (taken from Wholenote Magazine Vol.25 No.5 - https://www.thewholenote.com)
Calum Graham and Don Ross recently collaborated on the album “12:34,” featuring the Quantum Trinity Mini System:
There’s never enough that can be said about the great natural acoustic tone of the Quantum Trinity Mini System. Calum and I have both been using it for years now and we love it. There isn’t a show that goes by where we don’t have several people ask how we get such a great natural tone plugged into a PA. It just doesn’t seem possible!
We are both extremely happy with the sound that we got on our latest duet CD, “12:34″ where K&K pickups were an integral part of contributing to the great sound we received on the record. Thanks to K&K, it will be easier than ever for Calum & I to replicate the amazing sound we got in the studio when we play live on our upcoming tour in late 2013/early-mid 2014. Thanks K&K!!
LaGuitare.com : Hello Calum, it is a pleasure to have you here. Could you tell me more about you ? Who you are, when you started guitar, your influences etc.
Calum Graham : I started playing guitar when I was 13 years old. My dad would come home at night after work, and would pick up the guitar and play a bunch of old classic rock songs. Eventually I got him to show me the chords and then I started playing all the time. Then I started taking punk rock and metal guitar lessons when my teacher introduced me to a player named Don Ross and that's when my whole world opened up. I started learning how to play his songs and spent the majority of my time learning how to master this style. From there I discovered many other fingerstyle artists such as Leo Kottke, Michael Hedges, Andy McKee, Antoine Dufour, and Tommy Emmanuel.
LaGuitare.com : 2013 was a significant year for you ( "12:34", "Phoenix Rising » ). How do you feel looking back at 2013 ? Do you have a personal highlight ?
Calum Graham : Looking back I'm really grateful for the opportunity I had to work with Don Ross and work alongside him. Also the chance to record our album at such a renowned studio in Canada (Metalworks Studios), was a real treat. Getting our album signed to Candyrat records was a big milestone for me as well. Doing another album for Candyrat (Phoenix Rising) kind of came about accidentally as I went down to Milwaukee to record solo guitar videos for "12:34"and we ended up making a solo album! All in all those are my big highlights, and I have a lot to be thankful for in 2013.
LaGuitare.com :"Phoenix Rising » is, in my opinion, an amazing CD. Could you tell me more about the creative process of being an instrumental composer ?
Calum Graham : Well thanks! I'm really happy with how it turned out as well. In the writing process I have to have a melody that's interesting that leads somewhere. From there I try and build a story around it that really says something or communicates some kind of emotion. For me to even finish a song, it has to make me feel something, or move me in some way and not just be technically amazing. There's a big difference.
LaGuitare.com : You started to sing (« I do believe », « Mesmerizing »... ) but you stopped. Why ?
Calum Graham : 2013 was a year for me to really focus on the instrumental guitar and put out the best of my work to date. During that time I got to develop myself more as a singer and get more experience, as I've been playing guitar much longer than I have been singing. Actually it's funny that you mention that because now I'm working on three new vocal albums including one with a band where I'm playing electric guitar & singing lead vocals. A lot of my fans have requested that I sing more, and I'm really looking forward to branching out with these next few albums.
LaGuitare.com : Now, you are a Candyrat artist. How do you feel ?
Calum Graham : In high school I was always listening to artists from the candyrat music label. I would be on their website all the time searching for new artists and finding tabs of my favourite songs to play. So it's really cool to be a part of the label that I loved ever since I started music.
LaGuitare.com : Could you tell me more about your gear ? What is your « weapon of choice » ?
Calum Graham : I'm currently playing a Stonebridge G24SK Acoustic, and a Baritone from them as well. I'm also getting a Harp Guitar very soon from a luthier named Charles Shifflett in my hometown of High River, Alberta - which I'm really looking forward to playing. For pickups I use a K&K Trinity & LR Baggs magnetic pickup through a D-TAR Solstice preamp. I use D'addario & John Pearse strings and use a Line 6 multi-fx unit for my effects onstage.
LaGuitare.com : When can we expect to see you in France ?
Calum Graham : I'll be performing with Don Ross in Germany this May, and we're looking at doing supporting dates around Europe so we will know soon if we'll also be performing in France. Fingers crossed! I would love to be back. I visited France in 2012 while I was performing at the London Olympics and have been anxious to get back ever since!!
LaGuitare.com : Would you like to add something ?
Calum Graham : Thanks for your time! Looking forward to meeting you & performing in France very soon.....and having more chocolate croissants cause seriously...the croissants in Canada are just plain terrible once you've had a real French croissant!
LaGuitare.com : Thank you Calum
Charles-Henri G.D. - February 5, 2014 - http://www.laguitare.com/guitare-guitaristes-calum_graham-phoenix_rising_album_and_interview-candyrat-8247-0.html